One thing unique in the cinematography of The Graduate is the choice to have three long cut shots panning close up on Benjamin running, which not only are examples of impressive camerawork but also effectively isolate Benjamin from the rest of the world and show his love for Elaine. These shots occur when he first arrives at Berkeley, when he runs down the apartment building stairs after being evicted, and when he runs to the church after his car runs out of gas.
Two shots with the same framing but different focal lengths and subject distances vary in perspective. A shot with a larger focal length and subject distance will show less of the background and more of the foreground. This change in perspective becomes clear with dolly zooms, which continuously change the two, as seen below with a dolly zoom with focal length ranging from 24mm to 840mm.
In all three shots, Benjamin is isolated and in his own word. The only person or thing he cares about is Elaine and his love for her. Just like the viewer is unable to see his surrounding, the cinematography shows the viewer that Benjamin ignores his own surrounds because he is preoccupied with the thought of Elaine.
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