Will Mennie
Bauks
Film Analysis
2/27/13
Shadows
of Citizen Kane
While watching
the well-known classic, Citizen Kane, the inventive use of shadows was
used to create the perfect feel in each scene. Unlike in Casablanca, where shadows were used as simpler plot devices, Citizen Kane used them to convey a
deeper meaning. As shadows are nothing more than a lack of light, Orson Wells
was able to use shadows to display a lack of something else. For example, in
one of the later scenes in which Kane and Susan are arguing, and right when
Kane’s shadow swallows her entire figure, she stops fighting. It was as if he
took away her power/authority to bitch at him just by casting a shadow over
her. Another example would be any scene with The Reporters. I capitalize that because
in the film, the reporters seem to act as a single character. Anyway, The
Reporters are unified by one feature – none of them have distinct faces, just
ominous shadows cast by their fedoras. In the beginning of the film, I figured
this meant that they were shady a character, or would somehow play the
antagonist, however the only significance it seemed to have was just to express
their lack of individuality.
That is a very abstract look on the use of shadows in this film. I agree with what you are saying but would like to add that the shadows that Kane cast over people in the film are in direct correlation with his power. As you know Kane is the most powerful man in this film and can be see mostly through low angle shots looking up at him and high angle shots of him looking down on others. But the actual shadow he lays on the individuals in his presence really hold his superiority strong, as he is literally leaving them in the dark.
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